Silk Khazana Presents
Varanasi's Heritage Handloom Manufacturer
"There is a moment — and if you have ever held a Banarasi saree in your hands, you know exactly what it is — when the weight of the silk settles on your palm and something quiet happens inside you. It is not just fabric. It is three hundred years of a city's soul..."
Varanasi does not merely make sarees. Varanasi breathes them into existence.
But here is something that surprises most people: "Banarasi saree" is not a single thing. It is a family — a rich, layered, wildly varied family of fabrics, each with its own character, occasion, price point, and story. A bride shopping for her wedding lehenga-set has entirely different needs than the NRI woman looking for a lightweight saree she can carry in her cabin luggage to London. A Varanasi tourist stepping into a handloom showroom for the first time deserves to know exactly what she is looking at.
This guide exists for all of them.
At Silk Khazana, we have been weaving and selling pure handloom Banarasi sarees directly from our workshop in Varanasi for generations. We know these fabrics the way a gardener knows his soil — from underneath. Everything in this guide comes from that lived knowledge.
Let us walk you through every major type of Banarasi saree, what makes each one special, and how to find the one that is truly yours.
Already know what you want? Connect with our team on WhatsApp for personalized recommendations and exclusive designs not listed online.
Before we discuss the different types, it helps to understand what all Banarasi sarees share — the qualities that separate a genuine piece from the thousands of imitations flooding the market.
The finest Banarasi sarees use Katan — a tightly twisted silk yarn that gives the fabric its characteristic density and drape. The silk is not soft in the way cotton is soft. It has weight. Substance. A kind of architectural quality that holds shape even as it moves.
When the Mughal emperors arrived in the Indian subcontinent, they brought Persian motifs — jamdanis, bootis, jaal patterns, and the famous kairi (mango) design. Varanasi's master weavers absorbed these influences and made them their own. What you see in a Banarasi saree today — the floral jhaalar borders, the interlocked vine patterns, the shimmer of real gold and silver zari — is the living legacy of that cultural exchange.
The most authentic Banarasi sarees are woven on pit looms or frame looms by hand, a process that can take anywhere from fifteen days to six months for a single saree. The weaver controls every thread. There is no machine that can replicate the slight, living irregularities that mark a handloom textile — and those irregularities are not flaws. They are fingerprints.
At Silk Khazana, every saree in our collection is woven by master craftsmen in Varanasi's weaving clusters. When you buy from us, you are buying directly from the source — no middlemen, no markups, no compromises on material.
Katan is the undisputed crown jewel of Banarasi weaving. The word itself comes from the Persian katan, meaning pure, and that is precisely what this fabric is.
Katan silk is made by tightly twisting multiple fine silk threads together before weaving. The result is a fabric with a smooth, almost glossy surface that catches light in a way that is deeply satisfying — not garish, not loud, but quietly radiant. Run your fingers across a Katan saree and you will feel the difference immediately: a firmness, a cool weight, a slight resistance that tells you this is a fabric of substance.
Katan sarees are typically passed down as heirlooms. We have customers in the UK whose mothers bought their Katan Banarasi from us thirty years ago — the sarees still look pristine.
If Katan is the grand matriarch, Organza — known locally as Kora — is the younger, lighter-footed relative who surprises you with her elegance.
Kora is woven from raw, unprocessed silk. The threads are not degummed the way they are for Katan, which means the fabric retains a natural stiffness and a semi-transparent, almost papery quality. It is crisp without being rigid. Luminous without being heavy.
Draped, a Kora Organza Banarasi saree stands slightly away from the body, giving it a sculptural quality. The zari work on an Organza saree tends to be particularly striking — the near-transparent base makes the gold and silver patterns appear to float in mid-air.
Explore our Organza collection. Visit our Varanasi showroom or browse online — lightweight Banarasi sarees shipped worldwide.
Georgette entered the Banarasi weaving vocabulary relatively recently — but the weavers of Varanasi adopted it with characteristic confidence, and the result is one of the most wearable, universally flattering types of Banarasi sarees available today.
Georgette is a crepe fabric with a slightly pebbled texture, made by alternating left- and right-twisted yarns. It drapes loosely, flows beautifully, and forgives most body types with equal grace. When Banarasi weavers began working butis, jhaalar borders, and full jaal patterns onto Georgette, something genuinely new was born — the structure of traditional Banarasi design on a fabric with the ease of modern wear.
A Georgette Banarasi is also one of the easiest types to carry while traveling — it folds flat and does not wrinkle badly, which makes it a favourite among NRI buyers.
Very few fabrics in the world change colour as you move. Shattir does.
Shattir is a double-weave structure that uses two different coloured warp threads. From one angle, the saree appears to be one colour. Shift your position — or simply walk across a room — and the second colour blooms through. It is one of those things that cannot be fully appreciated in a photograph. You have to stand in front of a mirror with a Shattir saree draped over you and turn.
The iridescent effect is entirely structural, produced by the weave itself, not by dyes or finishes. This is what handloom craftsmanship looks like at its most quietly astonishing.
Walk into a ray of sunlight wearing a Tissue Banarasi saree and the entire room will look at you. That is not an exaggeration.
Tissue is woven by interlacing fine metallic — typically gold or silver — zari threads throughout the body of the fabric. The entire saree shimmers, not just the border or the pallu. The base fabric is usually silk, but the presence of metal threads throughout the weave means the saree carries a remarkable iridescent glow under any kind of light.
These are celebratory sarees. Wedding night sarees. Sarees worn when something important is being marked.
If you want to understand what it means when people call Varanasi a city of colour, look at a Meenakari Banarasi saree.
Meenakari is a weaving technique borrowed from the ancient art of enamelling jewellery — where multiple coloured threads are woven into the design to create motifs that are rich, multi-hued, and jewel-like. A single Meenakari buta (motif) might contain five or six different colours of silk thread, each one woven in by hand to create a pattern that looks like a painting. Flowers, peacocks, elephants — the motifs come alive in Meenakari work in a way that is genuinely extraordinary.
The word jangla means jungle — and when you see a Jangla Banarasi saree, you understand why.
Jangla is defined by an all-over design that covers the entire body of the saree with dense, continuous motifs — typically scrolling vines, flowers, leaves, birds, and animals woven in an unbroken pattern from the pallu to the hem. There is no plain ground visible. The design consumes everything.
This is one of the most labour-intensive types of Banarasi sarees. A complex Jangla saree can take a master weaver three to four months to complete. The patience and precision required is extraordinary — every element of the pattern must align across the entire length of a six-metre saree.
Want to see a Jangla saree in person? Connect with us on WhatsApp — our team can video call you through our latest arrivals.
The Banarasi saree market is flooded with machine-made imitations, power-loom copies, and synthetic "silk" sarees sold at prices that seem too good to be true — because they are. Here is how to protect yourself.
The Silk Mark is a certification issued by the Silk Mark Organisation of India, guaranteeing the saree contains genuine silk. Legitimate sellers will have Silk Mark labelled sarees. Ask for it. If a seller cannot produce it, be cautious.
Real silk is heavier than polyester of comparable length. More tellingly, silk is temperature-neutral — it feels cool in your hand when you first touch it, then adjusts to your body warmth. Synthetic fabrics feel uniformly room-temperature or slightly warm.
Genuine gold zari is made with a fine silver wire coated in real gold. It does not tarnish quickly and has a depth of colour that metallic thread cannot replicate. Ask if the zari is asli (real) or kalabattu (artificial). The price difference is significant.
A handloom saree will have minute, almost imperceptible irregularities in the weave — slight variations in thread spacing, tiny inconsistencies in pattern alignment. These are not defects. They are the human hand at work. A perfectly machine-regular pattern is the first sign of power-loom production.
Pull a single thread from the saree edge. Real silk burns slowly, smells like burning hair, and leaves an ash that crumbles to powder. Synthetic fibres melt, smell chemical, and leave a hard plastic bead.
The most reliable protection is the simplest: buy from a verified source. Silk Khazana sells exclusively from our own handloom workshop in Varanasi. We invite every customer to visit our production facility and watch their saree being made.
| Occasion | Recommended Type | Why |
|---|---|---|
| Bridal wedding wear | Katan Silk / Jangla / Tissue | Maximum richness, heirloom quality |
| Wedding guest | Georgette Banarasi / Kora Organza | Elegant but manageable |
| Sangeet / Mehendi | Georgette / Meenakari | Playful colours, easy movement |
| Office festive wear | Georgette / Shattir | Professional, not overwhelming |
| Festival wear | Meenakari / Kora Organza | Colourful and seasonally right |
| Gift for NRI buyers | Kora Organza / Georgette | Lightweight, travel-friendly |
We are not a brand that was built in a boardroom. We are a family of weavers and merchants who have been rooted in Varanasi for generations — in the same neighbourhoods, on the same streets where Banarasi silk has been woven for centuries.
When you buy from Silk Khazana, here is what that actually means:
We are in the heart of Varanasi. If you are visiting the city — and you should — come see us. Walk the lanes of our workshop. Hold the sarees in your hands.
That moment when the silk settles on your palm? We would like to be there for it.
Visit our Varanasi Store: Get Directions | WhatsApp Us: +91 6307305873 | Explore the Full Collection: Shop Online
For the bride herself, Katan Silk and Jangla Banarasi sarees are the gold standard — richly woven, deeply traditional, and designed to be heirlooms. For wedding guests and family members, Organza (Kora) and Georgette Banarasi sarees offer elegance with greater ease of wear. If maximum visual impact is the priority, a Tissue Banarasi with gold zari is unmatched.
Look for the Silk Mark certification on the label. Additionally, pure silk will feel cool to the touch initially, will drape with a natural weight, and a single thread burned carefully will smell like hair and leave powdery ash — not melt into a plastic bead the way synthetics do. Buying from verified manufacturers like Silk Khazana, who source directly from their own looms, eliminates the guesswork entirely.
Authentic handloom Banarasi sarees are expensive because of the extraordinary human labour involved. A mid-range Katan Silk saree takes 15–30 days to weave by hand. A complex Jangla or Tissue saree can take 3–6 months. Every motif is woven thread by thread, by a craftsman who has spent years learning his loom. Add in the cost of pure silk yarn and genuine gold zari, and the price reflects not markup but reality. What you are paying for is irreplaceable human skill.
Organza (Kora) Banarasi sarees are the lightest of the traditional types, followed closely by Georgette Banarasi sarees. Both are excellent choices for summer weddings, warm climates, or NRI buyers who need sarees that travel well. Kora Organza in particular has a distinctive crisp lightness that makes it feel almost like wearing structured air.
Banarasi sarees require careful, consistent care:
"Jo tana bana hai, woh sirf kapda nahin hai"
— What has been woven is not merely cloth.
A Banarasi saree carries the memory of the city that made it. The smell of the Ganga at dawn. The sound of looms in narrow lanes. The patience of a craftsman who learned his art from his father, who learned from his father before him.
When you choose a Banarasi saree — whether you are a bride preparing for the most significant day of your life, an NRI woman maintaining a thread of connection to where she came from, or a visitor to Varanasi who wants to take home something that is truly real — you are not just buying fabric.
You are becoming part of a story that has been told, in silk and gold, for three hundred years.
At Silk Khazana, we are honoured to be your guide to that story.
Explore our latest handloom arrivals, visit our physical store in Varanasi, or let our experts help you style your perfect Banarasi look over WhatsApp.
